Monday 29 June 2015

Art Films

An art film (also known as arthouse film, or, in the collective sense, as art cinema) is typically a serious, independent film aimed at a niche market rather than a mass market audience. An art film is "intended to be a serious artistic work, often experimental and not designed for mass appeal";they are "made primarily for aesthetic reasons rather than commercial profit",and they contain "unconventional or highly symbolic content".



Film critics typically define an art film as having "formal qualities that mark them as different from mainstream Hollywood films", which elements includes,  a social realism style, an emphasis on the authorial expressiveness of the director, and a focus on the thoughts and dreams of characters, rather than presenting a clear, goal-driven story. It is considered its own genre, but can also fall within others depending on the other codes and conventions within it. 


Art film producers usually present their films at specialty theatres and film festivals. The actual term art film is much more widely used in the United States, the UK and Australia than in Europe. Because these films are aimed at small niche market audiences, they rarely get the financial backing that will permit large production budgets, expensive special effects, costly celebrity actors, or huge advertising campaigns (as are used in widely released mainstream blockbuster films). Art film directors make up for these constraints by creating a different type of film, which typically uses lesser-known (or amateur) film actors and modest sets to make films that focus much more on exploring new narrative techniques or film-making conventions.



A certain degree of experience and knowledge are required to fully understand or appreciate such films. This contrasts sharply with mainstream "blockbuster" films, which are geared towards escapism and pure entertainment. For promotion, art films rely on the publicity generated from film critics' reviews, discussion of their film by arts columnists, commentators and bloggers, and "word-of-mouth" promotion by audience members. Since art films have small initial investment costs, they only need to appeal to a small portion of the mainstream viewing audiences in order to become financially viable.

Thursday 18 June 2015

Propp's Character Theory & Levi-Streuss's Binary Opposition Theory

Vladimir Propp developed a character theory for studying media texts and productions, which indicates that there were 7 broad character types in the 100 tales he analysed, which could be applied to other media:
  1. The villain (struggles against the hero)
  2. The donor (prepares the hero or gives the hero some magical object)
  3. The (magical) helper (helps the hero in the quest)
  4. The princess (person the hero marries, often sought for during the narrative)
  5. The false hero (perceived as good character in beginning but emerges as evil) 
  6. The dispatcher (character who makes the lack known and sends the hero off)
  7. The hero [AKA victim/seeker/paladin/winner, reacts to the donor, weds the princess
Levi-Streuss's Binary Opposition theory is where he argued that all narrative could be reduced down to binary opposites. Such examples are 
  • Good Vs. Bad
  • Weak Vs. Strong 
  • Traditional Vs. Modern Cultures 
  • Black Vs. White
  • Poor Vs. Rich
  • Fast Vs. Slow
  • Tall Vs. Small
  • Moral Vs. Immoral
  • Happy Vs. Sad
  • Male Vs. Female
  • Life Vs. Death
  • Calm Vs. Moody
  • Interesting Vs. Boring

Wednesday 17 June 2015

Tzvetan Todorov Narrative Theory of Equlibrium

Russian theorist Tzvetan Todorov, also sygested this three part structure. But he believed that all narratives begin with equilibrium, where everything is balanced, progress as something comes along to disrupt that equilibrium, and finally reach a resolution, when equilibrium is restored. The three stages being named equilibrium, dis- equilibrium, and new equilibrium. So this means that:
  • Beginning = Act 1 = Equilibrium
  • Middle = Act 2 = Dis- Equilibrium
  • End = Act 3 = New Equilibrium
Todorov's theory takes into account Aristotle's theory that all drama is conflict, and therefore that there is a dis-equilibrium at the heart of every narrative.

In any piece of fictitious film, the structure can be broken down in to 3 key sections. These are called the 3 act structure. This three-act structure is a model used in screen writing that divides a fictional narrative into three parts, often called the Setup, the Confrontation and the Resolution.While it is a popular structure for screenwriters, many have expressed their distaste with the model, feeling it to be too restrictive.
  • Act 1- The first act is usually used for exposition, to establish the main characters, their relationships and the world they live in.
  • Act 2 - The second act, typically depicts the protagonist's attempt to resolve the problem initiated by the first turning point, only to find themselves in ever worsening situations.
  • Act 3 - The third act features the resolution of the story and its subplots. The climax is the scene or sequence in which the main tensions of the story are brought to their most intense point and the dramatic question answered.


Monday 15 June 2015

My Chosen Brief

I have decide to take up the challenge of making a short film. I felt that this was the brief that I had most experience with. And although I love the medium of the music video more than that of the short film,  I realised after some research that finding suitable uncopyrighted music (perhaps with a creative commons licence) would have taken more time than actually making the video and was therefore was not really a feasible option for me. I am, however more than happy to be making a short film as there is so much you can do and say with this type of media.

Initial thoughts:
  • Stylised > narrative
  • One main protagonist > multiple (Due to availability )
  • Outside locations > inside (Due to production constraints)

Although I feel that  stylised film is the way to go (maybe film noir/ or art house film?) I defiantly want to incorporate a narrative into this. I love the creativity behind writing and telling stories, so I don't want the stylised feel of the film to overpower and shadow the narrative side. Getting this balance I feel will be tricky but rewarding in my final product. 


Saturday 13 June 2015

4. Consider Narrative, Genre & Representation

  • Music Video
If the music video has a narrative, it should only be slight as it's not a short film. Genre, style, and tone should  fit with the song. Representation of different social groups should be considered.
  • Advert
Where representation has to be considered, narrative not as important as you are trying to push and show a brand not a storyline, but potentially the ads could have a mixture to engage audience. There isn't really genres of adverts, they are all cheery and bright, to make the audience feel that there life has improved with the addition of the company s product or service.
  • Short Film
Representation should be thought through through carefully as it could convey or de-construct and challenge stereotypes. Narrative is the whole name of the short film game. A good story will make or break a short film, this will determine everything else in the film including the tone, genre, characters, and feel. 

Posts due  23/6/2015

Thursday 11 June 2015

2. Summary

  • Music Video
 I love music, and have been watching & making music videos for a long time. Making the digi pack would not be a big deal because I have Photoshop skills from my digital art GCSE and my Photography Video & Animation A level. However, finding music might be hard, because copyright, licensing, and availability issues.
  • Advert
Not as interesting I feel, as the others. I am used to and good at branding and marketing because of my continuing work in my business A level. Also I, like the rest of the world, have seen hundreds of adverts, as we as a society are bombarded by advertising all the time.
  • Short Film
I love a good short film. I am more experienced making these than any of the other briefs. They are traditionally longer than music videos and adverts and therefore harder to make because of the extra time filming, editing, and researching. The film would have to be character & visually driven as I lack  budget and the more specialist skills. I have a very few actors who are accessible to me and therefore I have to keep this in mind when storyboarding as it couldn't really have more than 3 protagonists within the narrative.

Wednesday 10 June 2015

1.5. Research (Past Corsework)

  • Music Videos

Skateboards are a over used cliché and are frown upon with in the film industry.
Good use of lighting and lack of colour to promote quirky vibe.
However it is quite similar to a lot of skateboard music videos and is unoriginal.

  • Adverts

I don't like how it was obviously all filmed in the same location.
Over used stereotype of pink for women, is sexist and cuts out half of their potential market.
It can sometimes be an effective marketing strategy though.
  • Short Films

18 year old teenage boys being drug lords is not believable and takes authenticity out.
Starting of by waking up at the start of the film is not allowed either, way too cliché.
Like the representation of the two main characters obviously being gay.
Not enough attention paid to set design and locations, takes realism out.
Lack of good acting and realistic sets lets down the narrative.

Tuesday 9 June 2015

1. Research (Professional)

  • Music Videos
The Ballad Of Mona Lisa By Panic! At The Disco

Stylised period steam-punk, if you will, music video.
 Includes parts dedicated to a narrative but is interspersed with shots of the band performing.
 This links the video to the music brilliantly.

Style By Taylor Swift

Art style graphic based music video. Effective with the tone of the music.

The Young Blood Chronicles (full version) By Fall Out Boy

Narrative only music videos, so narrative driven that when put their album worth of music videos in chronological order, they stitch together to make a short film.

Pompeii By Bastille

Again more narrative orientated than anything else, but main protagonist/ lead singer lip sync to parts of the song tying it together with the music.
 Excellent use of shaky camera to engage the audience into the action.
  • Adverts
Compare The Market (Insurance)

Animated advert with long standing characters brand has created.
 Injects empathy as you get to know the protagonists through different ads over a period of time.
 Has a humor and 'cuteness' factor which is appealing, but can come off as annoying which could potentially put consumers off.

Jaguar Car

Very slick, full of celebrity endorsement.
Good use of cinematography and colour correction.
Doesn't overly push the brand, which is refreshing in comparison with most advertisements.

This Girl Can
Positive message and a nice broad range of ethnicity and body type representation, all in a positive light.

  • Short Film
Stanley Pickle

The jumpy-ness of the film creates an uneasy feel, and unique tone throughout. The ideas behind the narrative of this short combined with the visual effects and editing techniques make it, one of the best short films I have ever seen.


SkyBorn (Only the trailer is available online)

Use of language within the script is flawless and makes the piece feel authentic despite it being set in a future dystopia. Excellent use of set and costume design to set the time and place.

PROXiMITY By Ryan Connolly

 Original action based narrative with clever ideas in story and production. Made ingeniously on a small budget. 

Real Gone By Seth Worley

The juxtaposition of the themes of suicide and hopelessness with the almost comedic element makes this short film very individual and its hard to find anything that compares with it. Again it was cleverly made on a small budget.

Monday 8 June 2015

Introductions to the Different Briefs

Brief 1
A promotional package for the release of an album, to include a music promo video, together with:

  • a cover for it's release as part of a digipak (CD/DVD package);
  • a magazine advertisement for the digipak (CD/DVD package).

Brief 3
Brief three: an advertising package for a new product or service, to include two TV advertisements, together with:
  • a TV programme sponsorship sequence
  • a radio advertisement


Brief 10 
A short film in its entirety, lasting approximately five minutes, which may be live action or animated or a combination of both together, together with;
  • a poster for the film
  • a film magazine review page featuring the film